Some trade seal stamps from Bahrain, of Dilmun culture; some rare pre-dynastic Egyptian cylinder seals; and some late Egyptian cotton spindle ‘buttons’, are among the 50 seals and stamps used to demonstrate that miniature artworks and ancient logos subconsciously express the universal five layers of culture, identical to larger artworks, but with a few structuralist compromises (for often having fewer than the minimum twelve eyes). Here is an extract from Stoneprint Journal 5 (where 30 of the 50 ancient miniature artefacts are demonstrated, and statistics of the average frequencies of typological features are expanded).
Stoneprint, the human code in art, buildings and cities (Edmond Furter, 2016, Four Equators Media, 400 pages, 170mm x 295mm, … More
Finding mindprint in a work of art is as simple as finding correspondences to any archetypally complete set or sets … More
The Dendera round zodiac ceiling demonstrates the subconscious imprint in a quadruple concentric set of constellations, signs, decans and determinants … More