London’s last permanent wall probably expressed the same subconscious structuralist orientation as the stoneprint among London buildings. During the Renaissance London’s buildings doubled in diameter, and quadrupled in surface. The wall was demolished and gates became obsolete. London’s stoneprint retained its orientation (as Rome, Paris and other cities did), but some buildings and some gates acquired new identities, and the polar points moved south-westward, first to Temple Ave, then to the Thames south bank corner.
Art, myth, ritual, and crafts like astrology, all derive from archetype. This post demonstrates the Senmut pseudo-astronomical ceiling as an example. Culture is sustained and standardised by subconscious expression. I did not design archetype, or this quirky cultural expression of archetypal structure. I merely identify and demonstrate this expression. Astronomical figures are not primarily zodiac figures, since they are not conventionalised. However their ranges of attributes, their sequence, and their relative positioning are highly standardised, forming a mindprint.
The set of archetypes in this artwork is listed here, in the standard sequence, with their mythical month or zodiac names (as archetypes, not constellations), with the universal average frequencies of some common attributes in brackets.
Here is a shortcut method to identifying the five layers of subconscious archetypal structure in artworks or building sites: Identify a likely periphery of figures in a roughly elliptical arrangement; List the figures in their circular sequence, by any distinctive attribute, such as a posture, season, function, species, or device; Provisionally tag the list or the artwork, with likely type numbers, such as 10 Teacher for a figure with arms up or a staff, 12 or 13 Heart for a felid, 1 or 2 Builder for a bovid or tower, 5 Priest for varicoloured, skin paint or a hyperactive posture; Tag figures notably ingressed or egressed towards or away from the centre, as 6 Exile or 14 Mixer; Tag a pregnant figure as 11 Womb; and an adjacent major figure as 12 or 13 Heart (usually with an exposed chest), and the adjacent figure on the other side as 10 Teacher; Complete the axial grid; Use the set of typology labels below.
Recurrent features in art, rock art, myth, divination emblems, alphabets, and some natural sets, enabled the initial ‘cracking’ of subconscious stock character types, their sequence, their spatial relationship, and their planar features on three cosmic planes. The mindprint and stoneprint model offers a lens through which to read the compulsive core content in cultural expressions, across the gulf of millennia and continents.