Five layers of subconscious perception and expression are visible in artworks and built sites. The layers are: (a) Type characters with specific optional features; (b) type sequence, clockwise or anti-clockwise; (c) axial grid between eyes or focal points of opposite pairs of types; (d) three pairs of polar junctures, implying three planes of expression; (e) orientation of polar pairs vertical or horizontal to the ground-line or a cardinal direction, co-incidental with the seasonal time-frame of the local culture. Types could be labelled after any natural or cultural set, such as species, myths or months. Generic labels, such as social functions, avoid the false impression of diffusion from one particular medium or culture.
In the Rennes les Bains landscape, if the Blanque-Sals confluence were a Galilee, and its axial opposite at 12 Sals-Rialsesse confluence were a Dead Sea; then Sals is a Jordan; Montferrand a Jericho; and Bains a Jerusalem. Legends are often re-located, partly since the same features are recognised everywhere under different names. The Sals basin also resembles a rectangular walled paradise, bounded east by Montferrand, Cornes, and Soulane hills on the Paris meridian, with three paths; south by Treasure Chest ridge, Charbonniere, with a river ‘gate’ in its middle; west by Rennes plateau with four paths; north by the Rialsesse valley where Cardou and Blanchefort hills flank the river exit ‘gate’. Extract from Stoneprint Journal 6, Rennes le Chateau stoneprint tour.