Frank Gutierrez’s artwork Once Again (Una vez mas), was in Darry Sheets’ storage locker auction, including the lithograph version shown here. He is less recognised than Rudy Gutierrez. The main theme in this political work is revealed by extra features of type 10 Teacher, typical of raised arms, staff, hunt-master, guard, council or balance, here as ironic as the conscious theme of national protection and defence. See analyses of both Frank’s work by the archetypal model here.
The nonsense limerick poem Hunting of the Snark demonstrates several ironies, apparent contradictions, and hidden meanings. The quest is an … More
Five layers of subconscious perception and expression are visible in artworks and built sites. The layers are: (a) Type characters with specific optional features; (b) type sequence, clockwise or anti-clockwise; (c) axial grid between eyes or focal points of opposite pairs of types; (d) three pairs of polar junctures, implying three planes of expression; (e) orientation of polar pairs vertical or horizontal to the ground-line or a cardinal direction, co-incidental with the seasonal time-frame of the local culture. Types could be labelled after any natural or cultural set, such as species, myths or months. Generic labels, such as social functions, avoid the false impression of diffusion from one particular medium or culture.
London’s last permanent wall probably expressed the same subconscious structuralist orientation as the stoneprint among London buildings. During the Renaissance London’s buildings doubled in diameter, and quadrupled in surface. The wall was demolished and gates became obsolete. London’s stoneprint retained its orientation (as Rome, Paris and other cities did), but some buildings and some gates acquired new identities, and the polar points moved south-westward, first to Temple Ave, then to the Thames south bank corner.
Stoneprint, the human code in art, buildings and cities (Edmond Furter, 2016, Four Equators Media, 400 pages, 170mm x 295mm, … More
Art, myth, ritual, and crafts like astrology, all derive from archetype. This post demonstrates the Senmut pseudo-astronomical ceiling as an example. Culture is sustained and standardised by subconscious expression. I did not design archetype, or this quirky cultural expression of archetypal structure. I merely identify and demonstrate this expression. Astronomical figures are not primarily zodiac figures, since they are not conventionalised. However their ranges of attributes, their sequence, and their relative positioning are highly standardised, forming a mindprint.
The set of archetypes in this artwork is listed here, in the standard sequence, with their mythical month or zodiac names (as archetypes, not constellations), with the universal average frequencies of some common attributes in brackets.